Preis der deutschen Schallplattenkritik 2021
The Jahrespreis 2021 from Preis der deutschen Schallplattenkritik went to bastille musique’s fourteenth release »Christophe Bertrand: Vertigo« featuring world premiere recordings by the Zafraan Ensemble and KNM Berlin conducted by Victor Aviat.
This first complete recording of Bertrand’s instrumental works, produced by the WDR, also includes an 80-page trilingual booklet (EN, FR, DE) with texts by Dirk Wieschollek and an interview with the Zafraan Ensemble, as well as two concertina-fold inserts featuring photos of the composer and the performers during the recordings.
WDR 3 / Sugarmusic Publishing / impuls neue musik, France Musique
Prix netzhdk 2016
netzhdk is the alumni organisation of Zurich University of the Arts; it is a network of former students, faculty members, and staff of ZHdK and its predecessor institutions. The prix netzhdk is awarded once a year. Worth 10,000 Swiss francs, the talent award is conferred on students graduating from ZHdK Bachelor’s and Master’s programmes. Nominees must furnish evidence of three to five years’ practical experience and that they have achieved distinction within their field through independent and exceptional work. The Magazine Zett interviewed Victor Aviat on his role.
“Although interaction is today’s mantra, it is curiously absent from many classical concert venues. Aviat’s approach to music education rests on the assumption that musicians have a certain remit, one which reaches beyond performance, their actual métier: “Artists should help school the audience. The role of the musician is to bring listeners closer to music as an art and as a form of culture, not only as mere entertainment.” Music, he adds, he is not simply beautiful, but also meaningful. Moreover, it has a subtext, with which musicians and the audience should engage. Be it philosophically, historically, or analytically.
“The role of the musician is to bring listeners closer to music as an art and as a form of culture, not only as mere entertainment.”
At the same time, Aviat is eager to demystify the world of classical music and to bring it much closer to audiences. Conductors, he observes, turn their backs on the audience for almost the entire duration of a concert. This explains Victor Aviat’s motto: “To communciate with people, not to turn one’s back on them and then bolt!”
Aviat talks to the integrated audience and explains the psychological processes between a group of musicians and its leader, the conductor. Award Ceremony Prix netzhdk. November 2016, Zurich